Selected Independent and Collaborative Works

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"Ma(r)king Myth, Imaging Nowhere: a German Exile’s Alaskan Archive." In Carl/Karl: Three Takes on Heidenreich. Foreword by Rachel Schreiber. Introduction by Alla Efimova. Berkeley: Carl Heidenreich Foundation, 2023.

Exhibition press release for “In Light. Conditions of Time," Solo exhibition of artwork by Rachelle Bussières at Johansson Projects (on view February 7 to March 21, 2020, Oakland, CA). 

“Untitled (Uncontained).”  Essay included in The Tallest Part of the Arch, a publication for the exhibition curated by visual artist and Southern Exposure Curatorial Council Member Marcel Pardo Ariza (on view February 15 to March 30, 2019, Southern Exposure, San Francisco, CA). 

“Fore-word” to Dissolve Issue 4: “Here Lies the Screen, Digital and Otherwise.” Dissolve, 2017.

“Seeing Spores: Taken by Odor.” Dissolve, 2017.

MA honors thesis, The Flowering of State Murder: Art at the intersections of the bloom. History and Theory of Contemporary Art, San Francisco Art Institute, 2016. 

“Miami, un memento mori para ti.” Obituary essay included in Dear Miami by artist Cristina Victor in Projected Personae group exhibition at SOMArts (on view July 22 to August 26, 2014, San Francisco, CA). The essay later re-appeared in Dissolve's earliest material form, a zine entitled “Debt," published in May 2016.  

“Artistic Currency: Art at the Intersections of Candy Coated Politics.” In Take Me! Delusions of Control in Contemporary Art, 11-15. Edited by Juan Pablo Pacheco. Introduction by Alla Efimova. San Francisco: San Francisco Art Institute, 2016.

“Case Notes: The Murder of Jonathon C. Arthur” and “Reading the Uncertain Vanities of Lola Montez in San Francisco.” In Bohemian Rhapsodies: 1871-1915, 55-66 and 73-76. Edited and Introduction by Nicole Archer. San Francisco: San Francisco Art Institute, 2015.